Kizz Daniel, the Afrobeats superstar has drawn a line in the sand, vowing to walk away from the music industry forever if anyone dares to claim they’ve written a song for him – with one notable exception: his fellow artist Runtown.
This provocative statement, made on social media, has sparked a lively debate about the role of songwriting credits in the Nigerian music scene and the pressure on artists to maintain a certain image.
Will Kizz Daniel’s stance spark a wider conversation about artistic integrity and collaboration, or will it simply fuel the controversy surrounding ghostwriting in the industry?
Kizz Daniel’s Wiki data:
| Name | Oluwatobiloba Daniel Anidugbe |
| Age | 29 years old (as of 2024) |
| Date of Birth | 1 May, 1995 |
| Place of Birth | Abeokuta, Ogun State, Nigeria |
| Genre of Music | Afrobeats, Pop |
| Net worth | Estimated $5 million – $10 million |
| Source | Bsgistnews.com |
Afrobeats sensation Kizz Daniel has made a bold declaration, stating that he will retire from music if anyone comes forward claiming to have written a song for him, with the exception of his colleague Runtown.
This vow was sparked by a recent exchange on social media, where Kizz Daniel praised Runtown for being the first person to have penned a song for him.
Kizz Daniel took to his X handle to express his admiration for Runtown, referring to him as the “Sound God” and acknowledging that he was the only person to have written a song for him.
However, an X user questioned the validity of this claim, prompting Kizz Daniel to respond with a stern warning: “Make any mofo come out say dem write for me, I go stop music right now.”
This statement underscores Kizz Daniel’s commitment to his artistic integrity and his desire to be recognized as a talented songwriter in his own right.
The topic of songwriting credits has long been a contentious issue in the Nigerian music industry, with many fans assuming that artists who use songwriters are less talented.
This stigma has led to a culture of secrecy surrounding songwriting collaborations, with some artists choosing not to disclose the involvement of external writers.
Kizz Daniel’s statement highlights the pressure to maintain a certain image and the potential consequences of being perceived as reliant on others for creative input.
In contrast, some artists, such as Davido, have been open about their use of songwriters, only to face criticism and skepticism from fans.
This backlash has contributed to the prevailing attitude that songwriting credits are somehow less legitimate if they involve external contributors.
Kizz Daniel’s vow serves as a testament to the complexities of the music industry and the delicate balance between artistic expression and public perception.
